When You Start Writing too Soon

 By Elaine L. Orr

When an idea comes to me it's exciting and also tempting to put words on paper. I may start with a few sentences but then graduate to a few pages of notes. If I'm in the middle of another project, I can stow those pages in a computer file or paper folder and have enough information to continue when I go back to it.

It's not necessarily a good thing when I have time on my hands. I may start a book immediately. After a few chapters I realize I don't know the characters, setting, or or perhaps plot well enough to continue. What I have may be good but the phrase "now what?" enters my mind too often. That's OK if you're writing an outline but troublesome if you're in the middle of a chapter.

I have finally learned that what I omit if I make an early start is showing the normal world. In most mysteries, an event propels a sleuth (professional or amateur) into action. They may get involved reluctantly but eventually there is enough at stake to push to find a killer, kidnapper or embezzler. Take your pick.

Having a period of time before the inciting event lets the reader know something about the sleuth as well as their town and some of the other people in it. Without that first chapter, or however long it takes, every time the author introduces a character or they visit a place, the reader will want an explanation.

I started a new book before Thanksgiving, The Handyman's Last Bite, and I was considering introducing a couple more characters so the pool of red herrings could be larger. (How's that for a pun?) Then I did a forehead slap and realized I should have mentioned those people in an earlier chapter. They need to be part of the Ordinary World before it turns upside down.

Cozy mystery authors are familiar with the four-part structure discussed for that genre (and others). 1) The Ordinary World, 2) Reactive Phase, 3) Proactive Phase, and 4) Confrontation. If you search for "four-act structure for mystery novels" you'll fund a number of very good articles. If you want more, you can go to The Creative Penn, a multifaceted site that deal with writing, publishing, marketing and more.

I don't want to "have" to use a certain structure, but the concepts are helpful. Plus, the new Ordinary World chapter in The Handyman's Last Bite provided some good ideas for other parts of the book.

If you want to become familiar with the thought process of a writer who is a meticulous outliner, get to know William Kent Krueger. I've read many of his books -- intricate and firmly ensconced in their environment.

Back to my handyman to be sure he doesn't mess up the project.

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