By Elaine L. Orr
Words on a page do bring stories alive. Action words give them a reason to keep living.
As I wrote Rekindling Motives more than two decades ago, I concurrently took an online class in outlining a book -- something I don't do well. The instructor read portions of the book and thought the opening wouldn't grab a reader. Here's the original opening.
I had not intended to go to the Ocean Alley High School
reunion. Wait, that’s too mild. I would have preferred to walk barefoot on
the boardwalk in January. However,
Scoobie and Ramona combined their charms, and I was in the so-called ballroom
of Ocean Alley’s largest hotel, Beachcomber’s Alley.
Here's what evolved based on the instructor's comments. (He may have said something about walking on glass, but I don't remember back to 2005. I'm lucky to have stored an early manuscripts in my Yahoo Mail account.)
I WOULD RATHER HAVE WALKED barefoot over shards of glass on the boardwalk in January than go to the Ocean Alley High School reunion. However, Scoobie and Ramona combined their charms, so on the Saturday after Thanksgiving I was in the so-called ballroom of Ocean Alley’s largest hotel, Beachcomber’s Alley. I'm such a wuss.
Several things changed, as you can tell.
- There's no reason to highlight the intention and then say Jolie's preference for an activity. The uncomfortable action she would rather not take is what counts.
- Walking barefoot over shards of glass on the boardwalk in January is a much better visual image than simply walking barefoot in the cold.
- The opening now indicates when the reunion takes place -- Thanksgiving weekend.
- "I'm such a wuss" tells you that Jolie knows she can't always resist being browbeaten, but also that she can laugh at herself.
That lesson stayed with me and I reevaluate the first paragraph of each book many times.
More Ideas for Fresh Writing
Every author has her style and every character their distinct way of speaking. That said, we sometimes overuse words or use less precise ones. Not a crime, but here are some things to think about.
My critique group pointed out that I use 'look,' 'walk,' and 'and' a lot. I now do word searches for 'look' and 'walk.' You don't want to sound as if you swallowed a Thesarus, but someone who trudges up the steps after work conveys something different than the person who bounds up the stairs. (And not just that the bounder has better knees.)
As she reviewed draft chapters of The Handyman's Last Bite, my colleague Sue Ade counted the word 'and' 200 times in one chapter. Yikes! Upon review, I changed some longer independent clauses into two sentences, so no need to connect them with a conjunction.
I also used 'and' when an infinitive could be used. For example, "She turned and hustled away," could be "She turned to hustle away." Either way is fine, but if you use 'and' 200 times in fifteen pages, look for at least some alternatives.
About that Outline...
All that outlining? As I got to the last couple of chapters of Rekindling Motives, my fingers flew as they do when I am very certain about my ideas. I didn't consult the outline, just kept moving. As you might imagine, the ending was different than I had outlined it. I liked the new ending. I might have liked the outline a bit better, but I wasn't going to rewrite two chapters that I thought worked well.
The moral could be: "Don't outline." It could also be, "It's OK to run with a good idea." My own habits have evolved such that I make notes before I start to write and I do bulleted summaries of each chapter as I go. At the bottom of my chapter summaries I have notes about continuing the story. Not an outline, but I do see my ideas on paper before I write the full text. I find that helpful.
As many writers say when asked for advice, stop talking and put your tail on the chair and do it.
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